February 8, 2010

Bias or No Bias: Howard Zinn and the role of the Historian

his·to·ri·an  (hĭ-stôr’ē-ən, -stōr’-, -stŏr’-) noun. (1) A writer, student or scholar of history.  (2) One who writes or compiles a chronological record of events; a chronicler.                                                                                                                   — The American Heritage® Dictionary of the English Language, Fourth Edition. Houghton Mifflin Company, 2004.

As neat and simple as it seems, the definition of the term “historian” morphs into murky territory.

Investigator, researcher, documentarian, professor, storyteller, alarmist, revisionist—all these labels fit into the job description.

Yet when it comes to Howard Zinn, the celebrated historian who passed away recently, the role often devolves into one of two directions: either as the master editor/revisor of the historical narrative or a storyteller of an altogether different story.

Zinn tried to be both, and it is this dichotomy that intrigues me…as well as frightens me. 

Of course, the first stop is looking back at Zinn’s seminal work, A People’s History of the United States.  First published in 1980, and revised in numerous additions, People’s encapsulates Zinn’s mission in history: to shatter the prevailing narrative of American history, driven by leaders, generals and “old white men” and create a new arc of historical analysis based on social and economic movements from below.

It was among the first “bottom up” histories of our country, and it still provides useful insight.

We know today that the upheaval and fluidity of American society cannot be ignored when it comes to history.  After all, Washington needed an army.  Carnegie needed workers.  Lincoln needed conscripts.  Jefferson needed concubines (just kidding).

Zinn did make sure that those left out of the prevailing narrative—the working class, minorities, immigrants, etc.—have a definite and active place in the story.  For the most part, this is completely justified.  In a democratic society, the arc of history is indeed a tug-of-war between the ruling elites from above and the working masses below.  Until the 1960’s, the elites have won out.  The historical literature of this country has largely been constrained to the wealthy, educated Caucasian elite, holding a monopoly on the written word in America. 

Zinn wanted to make sure that those who truly did the heavy lifting were not forgotten, but celebrated.  For this, all historians should be grateful.

Yet it is the subsequent direction of his work that made me fearful.

 Instead of providing an alternative arc or a complementary narrative, Zinn’s outlook has been accepted by the Left as a new orthodoxy.  His “textbook” has become required reading in classrooms throughout America.  Much of Zinn’s ideology, as well as the historical content, are taken as fact by many in the academic community, simply because it runs counter to the conservative antecedents of history.

This is the problem.  Zinn himself said that his work was not “an unbiased account.”  Yet even he sees that People’s shouldn’t be completely objective, but rather an account of those left out based on the contrarian bias.

Yet isn’t history about finding the truth, no matter how painful, and dealing with its effects?  Does one bias necessarily ameliorate another?  They’re both wrong, aren’t they?

I’ve tackled Zinn-like postulations before, in my look at Native Americans.  Take a look at this sentence from Chapter 1 of People’s:

“What Columbus did to the Arawaks of the Bahamas, Cortes did to the Aztecs of Mexico, Pizarro to the Incas of Peru, and the English settlers of Virginia and Massachusetts to the Powhatans and the Pequots.”

This is the kind of blanket statement that Zinn peppers throughout his text.  While it is accurate that Native Americans were mistreated by European explorers and settlers, often in horrific numbers, Zinn rarely puts any nuance to this story.  The whites are the enemy, period.

What Zinn neglected to mention were the internecine wars between the Aztecs and their subject peoples (which Cortes exploited), the recurrent—and powerful—Inca insurrections that lasted well into the 18th century, and the complicity of other tribes, such as the Mohegans, Narragansetts, and Wampanoags in the problems with the Pequots.  I guess all that doesn’t fit on a pamphlet very well.

In his zeal to make up for past wrongs, Zinn painted with such a broad brush that the detail work got lost in the rollers.   Whitey has to look bad regardless of the cost.  This makes for great propaganda, but terrible history.

A professor of mine once told me that even the great philosophers of Western civilization—Plato, Aristotle, Kant, even Marx—understood that there is no answer to that all inclusive question “What is truth?”  Yet the academic mind understands that there is still value in searching for that truth.

Howard Zinn saw a chapter of history that was clearly neglected.  This is commendable.  Yet his ideology got in the way of the history, so much so that I question whether or not Zinn was a decent historian at all.

Attached is a copy of Zinn’s seminal work from History Is a Weapon, a website that focuses on progressive revisions of history.  Please feel free to read it, or reread it, and give your opinions.

In re-reading this thing, I honestly think Zinn could spin a good yarn.  But it’s a crappy history book.

February 3, 2010

This Day in History 2/3: “The Day the Music Died”

The Neighborhood raises their collective glasses to Ritchie Valens, Buddy Holly, and J.P. “The Big Bopper” Richardson.

To most of us, these names are vaguely familiar, but to earlier generations, their death signalled the end of an era.

On February 5, 1959, Valens, Holly and Richardson–all well-known rock-and-roll stars of the mid-late 1950s–boarded a Beechcraft Bonanza plane near Clear Lake, Iowa following an unscheduled stop on their tour.  Their plane lost contact with the control tower within minutes in a blinding snowstorm, and by 3:30 AM the wreckage of the plane was found.

The news devastated the music world, and signalled the close of the early rock era.  By the late 1950’s, the early rock edge had softened to more commercial acts, and the victims of the crash were considered the last vestiges of the initial energy and demeanor of rock music.  Thus ended the age of Chuck Berry, Little Richard and early Elvis–soon to be followed by the Beatles, the Rolling Stones and later, fatter Elvis.

One young person who took the crash to heart was Don McLean.  In 1972, McLean released “American Pie”, his ode to the music and memories of his youth.  It is in this song that he referred to the crash as “The Day the Music Died”.  McLean himself never tried to decipher fully his own cryptic lyrics, but generations of music lovers since have tossed and turned over its meaning. 

Attached is a recording of McLean in 1972 singing his classic tune.  Enjoy.

February 1, 2010

Unknown African-American Heroes: The Healy Family of Georgia

February is Black History Month, and the Neighborhood will be highlighting some African-Americans that may not readily come to mind for students. 

First off is a family from Georgia that achieved many notable firsts as African-Americans, even though many Blacks still belittle their accomplishments, due to their mixed lineage and religion.  In 1818, Michael Morris Healy emigrated from Ireland and settled in the “bottom” country of Jones County, Georgia, near the town of Macon.  He would become a successful cotton planter, with 1,500 acres and 49 enslaved Africans.  Among them was a 16 year old girl named Mary Eliza, who Healy took as his common-law wife in 1829.  Even though their “marriage” was illegal, they lived as husband and wife, rearing 10 children.

It is these children, these “bastard” children of an illegal union that are the heart of this story.  Under Georgia law, children of slaves and masters were considered enslaved, and thus prohibited from receiving an education.  The Healys were thus educated in northern schools and abroad, always in strict adherence to their father’s Roman Catholic faith.  Among the nine children were:

James Augustine Healy (1830-1900)

 

 

 

 

 

1. James Augustine Healy (1830-1900) -Though not as documented as his brothers, James did found the Healy legacy of achievement.  He graduated from the College of the Holy Cross in 1849.  In 1875, Healy became the first African-American Roman Catholic bishop, as he was installed as Bishop of Portland, Maine.   James oversaw the establishment of 60 new churches, 68 missions, 18 convents and 18 schools.

Patrick Francis Healy (1834-1910)

 

2. Patrick Francis Healy (1834-1910) – Patrick Healy is a personal favorite of mine, as he is connected to my alma mater.  Patrick graduated Holy Cross in 1850, and then entered the Jesuit order.  The Jesuits, fearing that his race would be an issue in the states, sent Patrick to the University of Louvain, in Belgium.  He became the first African-American to earn a PhD–NOT W.E.B. Du Bois as commonly believed.  In 1866 Healy became dean of Georgetown University.  In 1874, Patrick became president of Georgetown, the first African-American of a major, white-majority university in the United States.  As president, Healy modernized the curriculum by requiring courses in the sciences, particularly chemistry and physics. He even expanded and upgraded the schools of law and medicine.  Patrick’s influence was so far-reaching that he is hailed as Georgetown’s “second founder”, after founder John Carroll.

 

Michael Augustine Healy (1839-1904)

3. Michael Augustine Healy (1839-1904) -Michael, who ditched Holy Cross for a life at sea, did not follow his older brothers’ path to the priesthood.  Michael joined a British ship as a cabin boy in 1854.  In 1864, Abraham Lincoln signed Michael’s commission as a Third Lieutenant in the Revenue Cutter Service, which would later become the United States Coast Guard.  Healy patrolled the 20,000 miles of Alaskan coastline for more than 20 years, earning great respect of the natives and seafarers alike. After commercial fishing had depleted the whale and seal populations, his assistance with introduction of Siberian reindeer helped prevent starvation among the native Alaskans.  He became the first African-American to attain the rank of captain of the Coast Guard in 1880.  In 1882, he became the first African-American to captain a US government ship.  His life inspired Jack London’s novel the Sea-Wolf, as well as James Michener’s Alaska.

All of these men achieved “firsts” for African-Americans, yet few scholars and even fewer African-Americans acknowledge their accomplishments.  The reasons are simple: they often did not openly recognize their African roots, and they were Catholic. 

The Healys were light-skinned: they “passed” for white as long as their lineage was not questioned.  Yet none of them openly denied their mother’s heritage.  Patrick Healy, in fact, was unashamed to acknowledge his African blood if questioned, even though he was president of a college with a large Southern white population. 

The Catholic aspect was part of a general bias against Catholics in America through most of the 19th Century.  In fact, it could be said that the Healys were equally, if not more, held back by their religion as they were by their race. 

Yet regardless of their race or their religion, it was a shame that their achievements have lacked recognition.  This February, let’s hope the Healys attain their deserved place among the pantheon of African-American heroes.