Tag Archives: Media

Mad Men and the King Assassination

Some of the cast of AMC’s Mad Men.

Yesterday was that rare instance when television illuminates.

Even so, the light shone by the tube can often reflect on our own mirrors—and the image is rarely beautiful.

Mad Men has been one of my favorite programs for a long time—mostly for superficial reasons.  Sure, the series gets deep once in a while, exploring emotions or lack thereof (the latter in the case of main character Don Draper), but I just love the entire ambiance.  The clothes, the furniture, the hair, the constant booze, cigarettes and womanizing; the show does a great job romanticizing a time and place that, if you had an ounce of humanity in you, shouldn’t be celebrated at all.

Yet yesterday’s episode, which focused on Dr. Martin Luther King Jr.’s assassination on April 4, 1968, gave an interesting window into how this predominantly white establishment dealt with crisis.

Let’s face it; for most of America, the 1960s was still a time of rigid social mores, gender roles, and class divisions that gave more leeway to those males who climbed higher up the food chain (a time we’re unfortunately cycling back to today).  The counter culture image of the Sixties was what America saw on TV, but not necessarily what dictated their everyday lives.

To paraphrase a famous saying, by the time the Sixties really reached middle America, it was the Seventies, and nobody cared.

It certainly seemed that way for the characters of Mad Men, as the episode opened with an advertising awards ceremony in New York.  As the advertising honchos got in their tuxedos and mink stoles, the keynote speech (given by the late Paul Newman as an endorsement to 1968 presidential candidate Eugene McCarthy) was interrupted by a shout that King was killed in Memphis.

As the episode wore on, the emotions of the principal characters ran the gamut.  Megan Draper and Peggy Olsen cried at the news.  Don and Roger Sterling stood as stoic as possible—with Roger cracking wise that he thought King’s famous eloquence would save him.  Old-money scion Pete Campbell lashes out at Harry Crane for thinking of profits on what he calls a “shameful, shameful day!”  Buxom office matron Joan Harris hugs Don’s Black secretary Dawn.  Even Don’s son Bobby starts ripping the wallpaper in frustration.

If there was one common theme in their reactions to the King assassination, it isn’t rage, regret, or even sadness—it is awkwardness.

It’s an awkwardness that captures beautifully the confused mindset of most of white America (at least north of the Mason Dixon) at the time.

The King assassination was one of the defining moments of the decade, and opened a groundswell of emotions.  The survivors of King’s movement tried to keep his legacy and activism alive as best they could.  Stokely Carmichael and others in the Black Power movement called for an end to nonviolent resistance.  Riots sprang up in overt 100 urban areas, including Washington, DC, Chicago, Pittsburgh, Baltimore and New York.

Again, if you didn’t live in these riot zones, all of this was seen through television.  Most of America, to be honest, really didn’t know how to react.  David Halberstam, the famous journalist, reported callous, even vicious reactions by whites, particularly in the South.  Yet most of America was too stunned…too bewildered…and definitely not sure of what the right reaction should be, especially since the wrong reaction (riots, violence) was sprawled all over the six-o’clock news.

Mad Men was not about to cover the rage and discontent in the Black community, and rightfully so.  Mad Men never has been, and never will be a show about people of color in the 1960s.  It’s about white America, the elite of white America, and how that elite changes with the rise of mass culture and mass communications.  Old-money nabobs like Roger Sterling and Bertram Cooper evolve into the self-made media elites like Don Draper.

As such, it would be extremely stilted, and rather phony, to shift focus from Madison Avenue to the streets of Harlem.  The awkward silences, the phony hugs, the confusion about what to do—all of that reflected perfectly the era and the people of the ruling class of 1960s New York, and nothing else.

Yet even with a clear view, the vista is not always pleasant.  In hindsight, we should’ve known better.

The assassination did not serve as a galvanizing force in America.   On the contrary, it showed how while the activists, intellectuals and politicians moved closer together, the rest of America was still far apart.  Not only were the differences vast, but growing every year as awareness through the media didn’t always lead to acceptance or even sympathy.  Many whites in 1968 still saw civil rights as a threat to their way of life, and not just in the South.

The awkwardness, therefore, reflected a reinforcement of social niceties that mask true intentions.  It’s difficult to know how anyone on Mad Men truly felt about civil rights: even the most liberal of characters, like Peggy Olsen, hasn’t had her worldview tested by a Black family moving next door.

So, in its own way, Mad Men was a lot more realistic about the attitudes of the 1960s than any other show.  The strange silences, stilted apologies and affected shows of affection demonstrate an establishment ( indeed, an entire population) with not only an extreme disconnect to the world around them, but a complete breakdown as the chaos enters the front door.

As our society suffered further catastrophes in the decades since, one must wonder if we ever learned how to react.

What do we do when the world comes crashing down?

Do we make the painful observations that are necessary to make our world better…or just wrap ourselves in the comfort of awkward silence?

 

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Videos for the Classroom: Crash Course!

I cringe at the word “kid-friendly” — sounds like a bad Law and Order: SVU episode.

One of the constant missions of the Neighborhood is to find resources that tap into the caffeine-addled brains of young people.   In the quest to find “kid-friendly” material, most of what I find is directed at…okay, I’ll say it…good little white children.  Good little pasty white kids that sit still and believe anything told to them because a happy smiling face in a toga (or bonnet or Abe Lincoln-esque stovepipe hat) tells them so.

Today, even the good little white kids aren’t really that good nor that white–you can thank TMZ, MTV and YouTube for that.

So to connect with today’s kids, we need something a little edgier.  Crash Course! is a series of films about history and science, told in an irreverent, snarky way by brothers John and Hank Green.  The World History series I saw was pretty entertaining, although the producers do make clear that historical people have sex (they get around it with a folksy word that I forgot).  They are, however, loaded with data, facts and historical debate, when necessary–these guys don’t hide their biases, and it’s important for kids to see someone unashamed of their opinions.

If it weren’t for the occasional sex references, I’d recommend Crash Course! to middle schoolers on up.  It’s perfectly fine for high school, but you may need some discretion with younger viewers.  I’ve attached the episode on Alexander the Great to get an idea.  Enjoy.

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Videos for the Classroom: What the Ancient Greeks Did for Us

Since I work double-duty as a social studies AND science teacher, I’m always looking for ways to combine the two…sometimes out of piquing interest, often out of laziness.

Today’s offering is just plain fun.

I’ve seen various episodes of this BBC series over the years.  What the Ancients Did for Us is a 2005 series on  BBC that detailed the accomplishments of various ancient societies and their impact on our lives today.  It was derived from earlier shows that looked at contributions from earlier periods of British history, such as the Tudor period, the Stuart era or the Industrial Revolution.

Yet this is no ordinary history documentary.  Ancients was produced in conjunction with the Open University, the largest British university by student enrollment and a pioneer in distance learning.  As such, it not only provides information on the civilization (names, dates, and whatnot) but also practical demonstrations of the kind of technology used at that time period–often with amazing results.

I’ve attached the episode on the Ancient Greeks, as this is the next unit we will be studying in my class.  I’ve already previewed the film to a few students of mine, and they all saw the experiments (from Archimedes’ screw to Hero’s steam Jet engine) as great ideas for science fair projects.  One even wanted to try out Archimedes’ famed “Death Ray” – the mirrored weapon used to angle the sun’s thermal energy towards wooden galleys with devastating results.

I’m not sure that will fly with the principal (nor the fire chief) but the series is a great connection between science and history.

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Website Review: Dr. Seuss Went to War

During World War II, everyone played a part.

Everyone…including Dr. Seuss.

Before Theodore Giesel gained worldwide prominence as a childrens’ book author, he was the chief editorial cartoonist for the New York magazine PMBetween 1941 and 1943, Geisel drew over 400 cartoons for the magazine, and also for other publications.

It is a rare moment when an iconic figure shows his political colors–and a unique website allows us access to this part of his career.

The Dr. Seuss collection at the Mandeville Special Collections Library at the University of California, San Diego houses all the original drawings and cartoons by the famous author.  About 200 of these cartoons were reproduced in the 1999 book Dr. Seuss Goes to War. 

UCSD has digitized its entire collection and provided it for general use at its website Dr. Seuss Went to War.  All his wartime cartoons for PM have been categorized by year, battle, geographic area and personality covered by Seuss.

It provides an excellent resource for teachers making connections between the complexities of war and a beloved childrens’ author.  Seuss was always political, and these cartoons show the political mind that would later create such controversial works as The Lorax and The Butter Battle Book.

As exemplars of political cartoons, this database is second to none.  The obviously excellent artwork provides hours of analysis, critical thinking and classroom discussion.  Because they were made as events occurred, the Seuss cartoons have an immediacy that is often overlooked by students today.

Finally, as a historical artifact, the Seuss cartoons allow students to see the war as readers at home saw it–through the eyes and pens of the writers and artists of the press.

Enjoy these cartoons and please let us know how you used them.

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This Day in History 4/30: The opening of the 1939 New York Worlds Fair

On April 30, 1939, while New York was still recovering from the Great Depression, the World’s Fair of 1939 opened in Flushing Meadows, Queens.  It was attended by over 44 milllion visitors, and was the second largest Worlds Fair in history (after the 1904 St. Louis World’s Fair).

Just as the world was about to explode into another world war, the New York World’s Fair gave its visitors a vision of the future–the “World of Tomorrow.” it featured advances in robotics, television, new gadgets and pavilions from most countries in the world.

It’s a vision of the future that still inspires and frightens us.

Attached is two official films of the 1939 New York World’s Fair.  Though they are silent, they contain text cels and provide amongst the best primary source material on this important cultural event.

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A Lesson on WWII Primary Sources; or, how eBay Finds some Educational Value

New websites are like new toys.

We can’t seem to find enough ways to play with them until they either break or get discarded for the next big thing.

In the early 2000s, eBay was my new toy—and a purchase from those early days found an unusual role in my classroom.

One day, while I had some down time at my office, I puttered around eBay looking for whatever crap struck my fancy.  In those days, it was THE place to find hard-to-find knickknacks, doodads, and whatnot—a veritable treasure chest.

I didn’t find treasure, but I did find a map.

For some odd reason, I needed an old map to frame for my den (even though I lacked a den, a yacht, and Sperry Top-sider footwear).  Though there were plenty of old maps of Maine, Bermuda, Aruba and other preppy hangouts, but I was drawn to a 1940s WPA map of New York City given to servicemen during World War II.

Never mind that it was folded, wrinkly, yellowed and with a funny double-print font that’s hard to read; I needed it for $20.

Let’s say I really didn’t need it.  This relic of wartime Gotham sat in my desk for a decade.

A few months ago, one of my fifth grade classes was wrapping up their unit on US History.  World War II seemed as good a finish as any.  A half-decade of Call of Duty games certainly prepared them with enough content knowledge to teach a military history class at West Point.

To end the unit, I decided to whip out this old relic of a map.  It couldn’t be mounted on a wall, since it was double-sided.  Nonetheless, I made copies of it and gave it to the class.  They examined the map, automatically finding the places they recognize (it’s easy since all the sports stadiums use a ballpark icon).

To really analyze the map, I split the class into groups.  One group made a top-10 list of places a soldier would visit on leave.  Another planned out a 24-hour day for a soldier, detailing where he would visit and for how long.  Still another group came up with places that weren’t on the map.

Some of the responses were downright hilarious.

The top-10 list included places like the George Washington Bridge and the YMCA.  One group gave a soldier five minutes to get from the Statue of Liberty to Harlem.  The  list of places not listed on the map ranged from pizza places to bars to…strip clubs and “love motels” (which we decided to lump into the generic term of “adult establishments.”)

The results, though, were some pretty damn good essays.  They covered about not only about what soldiers did on their free time in New York, but also prevailing attitudes about how soldiers were supposed to behave i.e., the lack of “adult establishments.”

All from an impulse buy on eBay so many years ago.

Here is the link to WWII Lesson Plan.  It includes worksheets and graphic organizers.  Try it out in your own classroom.

This is the  Essay Planning Page for the culminating project.

Here’s also a PDF of the WPA New York City Map for Servicemen that goes with it.

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How to Evaluate Online Sources, thanks to NCSS

It’s high time students stop mining Wikipedia for their research projects.

Without adequate library resources, the Internet is often a kid’s only avenue for research. Yet even teachers get frustrated trying to figure out what sites are useful and what are simply fronts for extremist groups (a certain website about Martin Luther King comes to mind).

In this quarter’s edition of Social Studies and the Young Learner, published by the National Council for the Social Studies (NCSS), Rindi Baildon shares how her fourth class at the American School in Singapore developed a rubric to evaluate sources. According to Baildon, it’s important for students to develop a healthy skill at determining useful websites, as it also develops their skills at critical thinking and analysis.

Using a series of exercises through an interdisciplinary research unit, Baildon gets the students to question accuracy, trustworthiness and usefulness in a multitude of sources. In that way, they can look at any online resource through a critical eye, which in results in more authentic, meaningful research.

The result of these exercises is a Research Resource Guide that summarizes how students should view online sources. They are a series of questions each student must ask when examining a website. They are scaffolded based on accuracy, readability (since a doctoral dissertation doesn’t due a fourth grader any good) and usefulness.

Below is the resource guide developed by Baildon’s class. Please let me know how you use it in your classroom. 😉

Research Resource Guide for Evaluating Online Sources

Readable

• Can I understand the information on my own, or with a little help?

• Is this resource “kid friendly”?

• Is this a “just right” resource for me?

Trustworthy

• Does this resource list the name of its author and publisher?

• Do I recognize the author or publisher?

• Is the publisher one person, or is it an organization (like a museum, university, or government agency?)

• Is the information current? (Is there a date showing when it was written or posted?)

• Can I find other sources with the same information?

Useful

• Does the resource have what I am looking for?

• Does it follow my research plan?

• Do I need it?

~ Baildon, Mark & Baildon, Rindi. “Evaluating Online Sources: Helping Students Determine Trustworthiness, Readability, and Usefulness.” Social Studies and the Young Learner, March/April 2012: pp. 11-14.

 

 

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