Tag Archives: Publishing

Videos for the Classroom: Interview about “Slavery by Another Name”

A few nights ago, PBS showed a documentary that chilled me to the bone.

Slavery by Another Name is a documentary based on the Pulitzer Prize-winning book Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II by Douglas A. Blackmon.  It details an often-overlooked chapter in African American history: the  “convict lease” system that placed thousands of Southern Blacks in a state of virtual slavery after the Civil War.

When the Reconstruction occupation forces left the South in 1877, Southern whites retook state governments and forced Blacks into a secondary status.  Part of this process was a series of laws that entrapped Black men under seemingly innocent conditions, such as looking at a white woman, walking on a railroad, etc.

Once in custody, these men faced exhorbitant fines and were forced to pay for the cost of their arrest.  Unable to pay such “debts”, these prisoners are leased out to plantations, mines, brickyards, railroads, quarries, steel mills and road building contractors.  State governments made millions in revenue leasing prison inmates to private companies as a source of cheap labor.

These men endured brutal conditions and backbreaking labor in a state of bondage thanks to a loophole in the 13th Amendment to the Constitution, which does not bar slavery in the case of punishment for a crime. 

It was a system that persisted until World War II.

The video is a conversation that takes place at the National Museum of American History between Blackmon and Bernard and Shirley Kinsey about the book.  For those unfamiliar with the period, the conversation is a real eye-opener to Blackmon’s award-winning research.

Also, read his book and watch the documentary.  You’ll be just as shocked as I was.

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Website Review: Mission 2 of Mission: US – “Flight to Freedom”

All video game franchises attempt to improve with time. With PBSMission:US, however, the delays were making us question whether there was going to be a second mission after all.

It has been a long time coming, but the second installment marks a solid improvement on the original.

The Neighborhood last visited this PBS interactive history game with its inaugural mission, which dealt with a young Boston boy dealing with the events leading up to the American Revolution. While we found it a worthy start, the mission was somewhat flawed with excessive dialogue, cartoonish, anime-like characters and lack of visceral action.

In this second mission, “Flight to Freedom”, the game moves to the mid-1800s as the slavery issue divides Americans. Lucy is an enslaved girl on the King plantation in northern Kentucky, near the Ohio River and the free state of Ohio. The story follows her daily life on the plantation, assisting fellow slaves escape north, escaping to freedom, being recaptured and sold at an auction, and hopefully fleeing again to freedom. Along the way, Lucy encounters abolitionists, free blacks, other slaves, overseers, haughty masters, slave catchers and others in American society with varied views on slavery.

Many of the flaws of the first mission have resurfaced. The Japanese-like characters and the excessive dialogue have remained. Also, certain aspects of the background seem somewhat sanitized. The slave quarters seem a little too spiffy (they look so well-built they resemble Levittown tract-housing), the fields seem a little too tidy, and the overseer and slave catchers seem a little too diplomatic (I’m sure they probably cussed more in real life).

The choice of crop at the plantation, furthermore, is interesting. Instead of cotton, tobacco or rice, the King plantation grows hemp, a once-valuable crop used in making bags, coarse clothes and especially rope.

I just wonder if my more street-savvy students would snicker at such a harvest, given hemp’s more potent and illegal cousin. Is that Snoop Dogg hanging out a little too long around those burning leaves?

Yet besides the cartoons, the sanitation and the subtle references to illicit drugs, Mission: US’ second mission does have marked improvements on its predecessor.

“Flight to Freedom” now allows the main character Lucy to say and do a wider variety of things. Unlike previous missions, which tend to move the story forward a little too linearly, Lucy can now be sneaky, aggressive, persuasive, obedient…even violent if she wants to. The game allows you to collect badges based on how you interact with characters and the situation. The badges also help you finalize the ending of the story the way you want it to end.

This makes the action more human and realistic—making the story all that more relatable to today’s students. After all, to make all enslaved people and free blacks look and act the same is a gross disservice. These people reacted to their situation in varied ways. It was a fine line between a seemingly obedient house servant and a Nat Turner-like insurrection.

Also, the dialogue is remarkably apt for the period. The first mission had colonists that sounded more like Nebraska than Boston. This time around, you can hear the twangs of the Ohio valley, from the drawls of the Kentucky planters and slave catchers to the Midwest nasal airs of Ohio abolitionists.

Lastly, the developers added a nice feature called Think Fast! About the Past for each mission. It’s a timed trivia game that allows you to learn more background information about each time period. Thankfully, the second mission game includes brutally honest information about the nineteenth century.

No, most northern whites were not abolitionists. Most abolitionists didn’t necessarily believe in racial equality. And life for free blacks in Canada was not exactly peaches and hockey sticks.

I hope in the future, PBS will develop missions with more action, longer plotlines and more realism. Yet “Flight to Freedom” is a great leap forward for the Mission:US franchise and it bodes well for upcoming installments.

Let’s see how long it takes to release Mission 3…let’s suppose by the end of the decade 😉

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Movies for the Classroom: A Christmas Carol (1971)

The holidays are never complete without Charles Dickens‘ immortal Victorian morality tale–and now you can show among the best versions of the story.

In 1843, Charles Dickens’ A Christmas Carol was not only a wildly popular bestseller.  In so many words, Dickens defined the modern definition of Christmas in Britain and especially in America.   Practically overnight, A Christmas Carol re-introduced the English-speaking world to a holiday that had been largely forgotten for almost two centuries.

Ever since the ban on Christmas during the Cromwellian era, the holiday was looked down upon as an idolatrous Catholic vice.  Even in America, only Anglican Virginia and outlying German Lutheran and Catholic settlements on the frontier really celebrated it.

Dickens’ work practically re-oriented the holiday from its more religious underpinnings to a secular, family-based celebration of comraderie and goodwill.  Even the most dour Calvinist couldn’t argue with those sentiments.  As the novel became popular, the markings of the celebration as noted on the pages–gift-giving, trees, pine wreaths, holly, carols, food, etc.–started to sprout in Britain and the United States (Puritan New England was slower in adopting it: many parts of the region wouldn’t allow Christmas celebrations until the 1870s.)

Thus, the holiday we see today comes almost directly from this 1843 novel.

Like any popular story, A Christmas Carol has been adapted for stage and screen numerous times.  The version attached today is among the best.  This 1971 animated film won the Academy Award for best animated short film: the only version of the story to be honored with an Oscar.  Directed by Richard Williams and produced by legendary animator Chuck Jones, the film’s style is lifted almost directly from 19th century illustrations, as well as 1930s illustrations of a popular reprint.  The tone is sufficiently dark to suit the somber Dickensian world of mid-19th century London: you can smell the smog and misery.

I think its among the best adaptations of the story around.  The mood of the story is sufficiently dark and upbeat to satisfy all audiences–but particularly older students.  This definitely lends itself to discussions of Victorian society, values, social welfare and government policies to the less fortunate.

Or it just could be a great Christmas yarn (which it is).  You can decide.  Enjoy.

 

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